I lie on the bed with a glass of water and read. When my eyes get tired I click on the TV. Tonight, Round Two of the U.S. Open! Will this be Andre Agassi's farewell? My face flashes on the screen. A different face than the one in the mirror. My game face. I study this new reflection of me in the distorted mirror that is TV and my anxiety rises another click or two.
Was that the final commercial? The final time CBS will ever promote one of my matches?
I can't escape the feeling that I'm about to die.
It's no accident, I think, that tennis uses the language of life. Advantage, service, fault, break, love, the basic elements of tennis are those of everyday existence, because every match is a life in miniature. Even the structure of tennis, the way the pieces fit inside one another like Russian nesting dolls, mimics the structure of our days. Points become games become sets become tournaments, and it's all so tightly connected that any point can become the turning point. It reminds me of the way seconds become minutes become hours, and any hour can be our finest. Or darkest. It's our choice.
But if tennis is life, then what follows tennis must be the unknowable void. The thought makes me cold.
Stefanie bursts through the door with the kids. They flop on the bed, and my son asks how I'm feeling.
Fine, fine. How were the bones?
Stefanie gives them sandwiches and juice and hustles them out the door again.
They have a playdate, she says.
Don't we all.
Now I can take a nap. At thirty-six, the only way I can play a late match, which could go past midnight, is if I get a nap beforehand. Also, now that I know roughly who I am, I want to close my eyes and hide from it. When I open my eyes, one hour has passed. I say aloud, It's time. No more hiding. I step into the shower again, but this shower is different from the morning shower. The afternoon shower is always longer—twenty-two minutes, give or take—and it's not for waking up or getting clean. The afternoon shower is for encouraging myself, coaching myself.