Excerpt from Foxy: My Life in Three Acts
Now Dad was in the passenger seat, riding shotgun, while his buddy drove the old '48 crank Buick with no seat belts, which no one had as yet. In the backseat, the driver's wife was carrying a goldfish in a bowl of water, and Mom was carrying me. As we rode along the New Jersey Turnpike, a car sped down the on-ramp, passed us, and suddenly shot out onto the road right in front of us. As Dad's friend swerved to miss the car cutting us off, our Buick rolled over three times and came to a stop at the side of the turnpike, its wheels beneath it. We all got out. Mom had never let go of me, and everyone in the car walked away without a scratch—except the goldfish, who died from oxygen inhalation. That was my first stunt.
"Daddy's home," my mother practically sang, as I tried to climb up the table leg to see outside. Mom, pregnant with my brother, Rod, hoisted me up onto the kitchen table so I could watch my father get out of the car and come into the house. It makes my mom absolutely insane that I can remember these things in such minute detail from before I was two. But I do. I also remember sitting on the front steps, eating a slice of fresh tomato, and dropping it on the ground when my dad walked toward me. I was standing on shaky legs, my arms raised for him to lift me up, when I slipped on the tomato slice. I bounced once before my dad caught me. Back then, there was no one more amazing and strong in all the world.
My dad, Clarence Grier, was a strappingly handsome man with tremendous strength in his hands. I could literally feel youthful energy shoot through his fingers. He was kind and loving to me, and the scent of his cologne combined with the crisp, starchy smell of his clean Air Force uniform delighted me. A loving, carefree man, he was my mom's hero. He was so light-skinned, he could pass for white, which caused him a lot more trouble than if he had clearly looked black or white. His mom was mixed, and his blue-eyed dad was mixed but looked white, so he never really fit in anywhere.
If you lived on base, you had decent facilities, good food, and current entertainment, including movies and music. If you lived off base, the public bus system hardly ever stopped for you, particularly if the back of the bus was full. On base, shuttles took you shopping or wherever else you wanted to go. Off base, you felt the humiliation, embarrassment, and sting of segregation, like when you were shopping with your family and the bus sped right by you, as if you didn't exist. In this era, we had to make sure we didn't look at someone the wrong way—it was a constant tension—or we could end up having our lives threatened. It seemed that while Air Force whites had access to whatever they needed, blacks had to make do, and there was no bucking against the status quo. The makeshift apartments where blacks lived (we called ourselves Negroes back then) were some distance from the base, and if you didn't have a car, you had better have a pair of sturdy legs.
"It's so hot out," I said. "Why won't the bus stop for us, Mom?"
"Because we're Negroes," she said.
Mom was gasping for air, she looked like she was ready to pass out, I was beyond uncomfortable, and even my little brother was panting. Another bus, completely empty, sped by us, and then another. When a fourth bus was about to drive on past us, it slowed, pulled over to the side of the road, and stopped. Mom walked cautiously to the stairs as the white bus driver opened the door. She looked in questioningly, glancing at all the empty seats, hoping against hope that we might be able to ride home.
The driver said nothing and neither did my mom. She just hustled us to the back of the bus and we fell onto the seats, breathing heavily. We sat quietly in our private chariot, grateful to be out of the hot sun. Mom knew this man was risking his personal security by picking us up. He obviously had a big heart under that white skin. He never looked at us, and we kept our eyes straight ahead as we neared our apartment complex. Mom told him when we got close to home, and he stopped to let us off.
She knew she was not allowed to speak to him, and she fought the urge to show her appreciation with a light touch on this kind man's shoulder. That could have gotten her into trouble. We faced these kinds of issues every day when the grocery clerk put our change on the counter instead of in our hands to avoid physical contact. How my mom managed to hold on to her dignity in such a condemning and shaming society, where we had to take what we were given, I will never know. But somehow she was able to turn everything around and convince us it was a blessing.
As a little girl, I wondered what it would have been like to wait for a bus like anyone else, to go into any restroom anywhere, and be welcomed into any restaurant we chose. I imagined Mom saying, "Hey, let's take a break from shopping and go have lunch," like any other citizen of the world. But that was not our world.
When I think back about why we didn't end up feeling inferior every day of our lives, I give credit to my loving family. We were very close, my parents made sure we had good manners and morals, and my mom always had several white friends who were sympathetic to contemporary black issues. While a few white women were still stuck in racial prejudice, most of Mom's friends, the white women who were married to NCOs (noncommissioned officers), never believed the ridiculous and denigrating myths and lies surrounding Negroes.
After all, the men worked in close proximity, whether they were white or black. And Mom's ability to create dress patterns and sew beautiful clothing gave her a special standing among her group of friends. Mom was so good at sewing, they could show her a dress on the cover of Vogue magazine and she could create that very dress and make her friends look classic and rich. My mom's white friends knew that we were good people and that she wanted the same things for us that they wanted for their own children. Today, I see what a great role model my mom was. She didn't believe in prejudice and she didn't want us to grow up hating or fearing white people.
When we spent time on base, however, our best friends were both black and white kids. We were invited to join them in the sandboxes, in the swimming pool, and on the bike trails. Some bases were more liberal than others, and at our base, the military complex worked hard at creating the "look" of equality. That meant we were allowed to enjoy the company of color-blind friends who accepted us just the way we were. It was an important lesson to learn that not all white people hated us for being different.
Mom went through nursing school during that time so she would have an occupation that felt worthwhile and would help her pick up the financial slack if it was necessary. She believed very strongly that women needed to know they could fend for themselves if push came to shove, such as in case of a death, disablement, or illness. And she could add income to the family coffers. Dad loved his Air Force work, where he focused on aviation, which was his calling. He was an NCO, which meant he had enlisted. He held on to his dream of becoming an officer, but he was holding out until "things" got better. That was the African American mantra—"Waiting for times to get better"—as we tried to envision a world with fewer obstacles, apprehensions, and hostility.
I was thrilled when Daddy Ray gave me a dime one Saturday so I could go to the movies with a few of my friends and cousins. My aunt Mennon, my mother's sister, had four children, and I recall my excitement when we headed off to the neighborhood movie theater to see Godzilla, a film clearly chosen by the boys.
The truth is that the film could have been about anything under the sun. I wouldn't have cared. It was my first movie, and I was ecstatic over the darkened theater and my very own nickel bag of popcorn that I didn't have to share. There were no segregation restrictions for the kiddie matinee, so we were free to frolic, scream, and munch on candy and popcorn. It felt like an indoor playground where kids could bounce on the seats, yell, giggle, laugh, and play with abandon, reacting to what was on the movie screen.
"His tail was made of rubber," I insisted. "I could tell. I saw the crease."
"It was not!" they said, unwilling to believe that the magic of Hollywood was in play here. They didn't want the monster to be made of rubber, while I was fascinated by rubber monsters with fake tails. I decided then and there that, one day, I would work in the movies in some capacity.
Marguerite and Daddy Ray spent time between their farmhouse in Cheyenne, Wyoming, and a modern cinder-block and brick home in Denver, Colorado, where we stayed sometimes when Dad was stationed nearby. This sleepy, bucolic neighborhood was fashioned in Craftsman style, its streets lined with century-old majestic oak and maple trees. The sidewalks were slabs of granite and redstone, no cement; the structures were built to last. No one had garages then, so everyone parked their Edsels on the streets with no worries about them getting stolen.
In the house, there were chrome faucets in the bathroom, and every time we used the sink, we had to wipe the water spots off the chrome. If we didn't, my grandmother went berserk and raised holy hell, since she was meticulous to a fault. After dinner, the floor had to be swept and the dishes had to be washed, dried, and put away. Then and only then could we sit down to tackle our homework.
The farmhouse had no indoor plumbing, so we used an outhouse that was stocked with corn cobs and a coffee can full of vinegar to disinfect and disguise the smell. Our grandparents had used corn cobs for toilet paper back in the day, but by the time we got there, we had toilet paper, so the corn cobs were just a reminder of days gone by. Since there was no electricity, and it was pitch-dark at night, Daddy Ray set up ropes that we could hold on to that led from the house to the outhouse. We used a kerosene lantern to see our way, and when the wind blew up in swirling gales, if we didn't grasp the rope tightly, we could get blown away.
The farmhouse kitchen was one big room with a slab of slate with a hole in it for the sink. The actual sink was underneath in the form of an enamel basin sitting on a small table. At the end of the table was the pump primer that we would pump a few times to get water flowing from the spigot into the sink. We heated water there for our baths. The farmhouse eventually became the cabin where the men stayed during hunting season. A small slice of heaven on earth, this wonderful farm was precious and charming, and I felt safer and healthier there than anywhere else, even as we dealt with the harsh and sometimes cruel elements of the wild, such as high winds and extreme temperatures from hotter than hot to freezing cold. In fact, the wind-chill factor was so extreme that when it reached up into the higher registers, the force of the gales could actually crack metal.
We ate like royalty back then because everything was fresh. This was before the emergence of the massive supermarkets where we buy our food today. We got our protein from the Korean deli around the corner, where they sold freshly killed chickens and recently caught fish. Some of our neighbors had chickens on their property and a cutoff tree stump for slaughtering them. They would catch a chicken, wring its neck and lay it across the stump, chop off its head like with a guillotine, and drain the blood. Then, to remove the feathers easily, they would drop it into boiling water for a few seconds.
When the men took off on hunting expeditions into the high country of Colorado or Wyoming, they brought back pheasant, game hens, wild turkeys, elks, and antelope. They fished for river catfish, bass, and lake trout, and my grandfather taught us kids to fly-fish. Daddy Ray was obsessed with teaching us to be self-sufficient, and we all had to learn to tie flies onto the hooks with pieces of carpeting and feathers and shiny wool. Then we were taught to cast a fly rod so we could catch German brown, rainbow, and speckled trout. We also took turns learning to steer the fishing boat through the water.
Some of the girls said, "I'm scared, Daddy Ray. I don't know how to steer a boat. I can't."
"You can't be scared," he told them, "or you can't come with me. If something happens to me, you have to be able to bring the boat back to shore." We also loved waterskiing and we needed to steer a boat for that, too. I was always the first in line to learn whatever he showed us.
"The roots of the cornstalks need to be at least four feet in the ground," Daddy Ray told me, "and the stalk will measure about eight to ten feet high. The longer the roots, the more ears of corn it will produce."
We were taught to respect and cherish the earth, something that has stayed with me for my entire life. When I hear the famous Joni Mitchell lyric "They paved paradise and put up a parking lot," I nod my head. I may not have been raised like a privileged city kid with a ton of new clothes and toys, but that means nothing, because when I was growing up, I got to live in paradise.