Reading Questions for Long Drive Home
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8. Glen doubts his ability to deceive Detective Rizzo: "A guilty conscience can be tricky that way: knowing I was lying made it hard to believe anyone else could believe me." (p. 77) When do you think Rizzo first becomes suspicious of Glen?
9. "It's about Sara," Liz tells Glen. "Her future. I've worked hard to give her a good one—we both have—and I'm going to make sure she gets it." Do you feel Liz is justified in demanding a divorce? (p. 84-85)
10. Glen doesn't understand Liz's behavior: "[D]espite what she said, I can't believe the accident was the only thing she was reacting to. I think she must have been mad at me for a while, or disappointed at the way our marriage had turned out. Somehow all of that got tangled up in the decision she was making." (p. 93) Do you think he's right? What other factors might be involved?
11. Recalling his conversation with Tawana outside Burris's office, Glen says, "Looking back, I suppose it must seem like I wanted to get caught." (p. 118) Do you believe he did, subconsciously? And if so, does this subconscious urge manifest itself elsewhere in the story?
12. Structurally, Long Drive Home alternates between excerpts from Glen's letter to Sara and passages of conventional first-person narration. Do you think Glen is a reliable narrator? Is he more, or less, reliable in the letter? Are there points at which you feel you understand Glen better than he understands himself?
13. Glen becomes increasingly obsessed with Derek Dye: "Maybe I couldn't blame him for the accident, but if I'd been a bomb waiting to go off that day, he was the one who'd lit the fuse. He was the one who'd made me a bomb in the first place." (p. 153) Why do you think Glen ultimately attacks Derek?
14. When Detective Rizzo confronts Glen at the bar, he accuses him of having no conscience: "It's like you're broke inside." (p. 159) Do you believe Glen truly has no conscience? What would you have told the police?
Enhance Your Book Club
1. "In traffic," writes Tom Vanderbilt, author of Traffic (Knopf, 2008), "we struggle to stay human." Physically cut off from other motorists, deprived of language, we are reduced to a brand of vehicle and an anonymous license-plate number. "The more interesting question is not whether some of us are more prone to act like homicidal maniacs once we get behind the wheel but why we all act differently." Do you agree with Vanderbilt's assertion? What else might contribute to boorish behavior on the roads? Have you ever been involved in a road-rage incident?
2. If your book club enjoys this kind of confessional novel, try reading another, such as Vladimir Nabokov's Lolita. Compare the main characters and their reasons for confessing. Do you believe confessions are, as Detective Rizzo claims, always the product of stress?
3. Try writing your own letter, confessing to something you feel guilty about. Would you ever consider sharing your letter? With whom? How did it feel to put your thoughts on paper?
Read O's review of Long Drive Home
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9. "It's about Sara," Liz tells Glen. "Her future. I've worked hard to give her a good one—we both have—and I'm going to make sure she gets it." Do you feel Liz is justified in demanding a divorce? (p. 84-85)
10. Glen doesn't understand Liz's behavior: "[D]espite what she said, I can't believe the accident was the only thing she was reacting to. I think she must have been mad at me for a while, or disappointed at the way our marriage had turned out. Somehow all of that got tangled up in the decision she was making." (p. 93) Do you think he's right? What other factors might be involved?
11. Recalling his conversation with Tawana outside Burris's office, Glen says, "Looking back, I suppose it must seem like I wanted to get caught." (p. 118) Do you believe he did, subconsciously? And if so, does this subconscious urge manifest itself elsewhere in the story?
12. Structurally, Long Drive Home alternates between excerpts from Glen's letter to Sara and passages of conventional first-person narration. Do you think Glen is a reliable narrator? Is he more, or less, reliable in the letter? Are there points at which you feel you understand Glen better than he understands himself?
13. Glen becomes increasingly obsessed with Derek Dye: "Maybe I couldn't blame him for the accident, but if I'd been a bomb waiting to go off that day, he was the one who'd lit the fuse. He was the one who'd made me a bomb in the first place." (p. 153) Why do you think Glen ultimately attacks Derek?
14. When Detective Rizzo confronts Glen at the bar, he accuses him of having no conscience: "It's like you're broke inside." (p. 159) Do you believe Glen truly has no conscience? What would you have told the police?
Enhance Your Book Club
1. "In traffic," writes Tom Vanderbilt, author of Traffic (Knopf, 2008), "we struggle to stay human." Physically cut off from other motorists, deprived of language, we are reduced to a brand of vehicle and an anonymous license-plate number. "The more interesting question is not whether some of us are more prone to act like homicidal maniacs once we get behind the wheel but why we all act differently." Do you agree with Vanderbilt's assertion? What else might contribute to boorish behavior on the roads? Have you ever been involved in a road-rage incident?
2. If your book club enjoys this kind of confessional novel, try reading another, such as Vladimir Nabokov's Lolita. Compare the main characters and their reasons for confessing. Do you believe confessions are, as Detective Rizzo claims, always the product of stress?
3. Try writing your own letter, confessing to something you feel guilty about. Would you ever consider sharing your letter? With whom? How did it feel to put your thoughts on paper?
Read O's review of Long Drive Home
Get more reading guides
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