"How Did I Wind Up Here?" from Mosaic
On my second visit, I met Carole King, truly my greatest musical influence. She was jetlagged from a trip overseas, but I was just glad we got to breathe the same air. Later, I sang on a tribute project to her great songwriting, and she sent me an old Tapestry LP cover, signed "Good Job." When it arrived, I ran around the house like a crazed kid, called my mother, and then my grade-school boyfriend, Johnny, saying, "You are the only one who will understand how monumental this is for me." Like everybody else, I know what it feels like to be a real fan.
I was thrilled to be asked to participate in the 1987 Prince's Trust concert in London, my first opportunity to work with Art Garfunkel, Robin Williams, and James Taylor. When my family and I arrived in London, I was a brand-new mother of a nine-week-old son, Matt, and we were both incredibly jetlagged. In a brief backstage meeting, Princess Diana gave me some encouraging words as another working mom. She agreed it was worth the fatigue to have your children with you. Later that night in a dressing room, James Taylor called out to me, "Give me that boy," taking a fussy Matt so I could have a break. I couldn't help but think of his beautiful lullaby "Sweet Baby James," which I had listened to a million times. To this day, I love the honesty of his music. I have been to a dozen of his live shows, and not a week goes by that I don't pull out one of his CDs and listen to it.