Getting to Know Gabo
He's known throughout Latin America, with great fondness, as "Gabo." The people of his native country of Colombia, South America and his adopted hometown of Mexico City, Mexico regard him with love and reverence. They all claim him as one of their own. He's influenced writers and readers worldwide as a Nobel Prize winning author. He is a journalist, a mentor to journalists, a movie and television scriptwriter, a movie critic and a passionate advocate for his brand of politics. He speaks his mind and refuses to write or speak in anything but Spanish. Throughout the world, he is larger than life.
He is Gabriel García Márquez.
In the Beginning
Gabriel, nicknamed "Gabito" ("little Gabriel" after his father,) was born in March of 1927 in the tiny Colombian banana town of Aracataca. At the time of his birth, bananas were booming. The next year, the banana economy began to unravel and created a rift in the town that has never been repaired. Because his parents were struggling to make ends meet, he was taken in by his maternal grandparents and raised as a part of their family. They were colorful people; his grandfather was an old decorated Colonel and revered by the town and his grandmother, who sold candy animals to support the family, could deliver even the most outrageous, superstitious tale with conviction. They were both great storytellers and the house where they raised "Gabo" was haunted by ghosts. Such is the stuff of the life—and the art—of Gabriel García Márquez.
The Hungry Bohemian
At the age of 19, despite a passion to be a writer, García Márquez enrolled in the law program at the Universidad Nacional in Bogotá, respecting his parents' desire for him to be "practical." Hungry for something to keep him engaged, Gabriel began wandering around Bogotá reading poetry instead of preparing for his law classes. He found genius in the works of Franz Kafka, William Faulkner (the most widely translated American writer of his generation,) Ernest Hemingway, James Joyce and Virginia Woolf. He began writing. His first novella, Leaf Storm, was rejected for publication in 1952 but later found a publisher in a fly-by-night operation, the CEO of which disappeared shortly thereafter.
Before leaving his hometown for school at age eighteen, García Márquez met the 13-year-old Mercedes Barcha Pardo and pronounced her the most interesting woman he had ever met. He proposed to her in a fit of passion. At thirteen, she knew she wanted to finish school; she put off the engagement. Though they would not marry for another fourteen years, their love has lasted a lifetime and their marriage is a driving force for García Márquez. She is his muse, his champion. She was as sure of him as he was of her. While he traveled and found himself after dropping out of law school, she waited patiently for him in Colombia until he returned for her when she was 27-years-old.
García Márquez transitioned to journalism after leaving school. He published a sensational but controversial piece about a shipwrecked sailor in Colombia. Worried he might be persecuted the government for his part in the scandalous piece, his editors sent him to Italy. In Europe, García Márquez' friends and editors kept him "moving" to keep him out of political trouble. In the course of five years he covered stories in Rome, Geneva, Poland, Hungary, Paris, Venezuela, Havana and New York City.
He continued to publish stories he believed in, but they made him an exile in his native Colombia and elsewhere. Because of the controversial nature of his political writings, he was not welcome in his own country in 1980. On a highly restricted visa, he was also denied entrance to the U.S.A. from 1962-1996—more than three decades. He was considered by many to be a renegade and a rebel—and he's never apologized.
Smoking, Scribbling and Success
After a three-year writers' block that lasted until the beginning of 1965, the personal novel he'd always hoped to write came pouring out of García Márquez. Within a week of the publication of One Hundred Years of Solitude in 1967, all 8000 copies of the original printing had been sold.
It was translated into three-dozen languages and won the Chianchiano Prize in Italy, the Best Foreign Book in France, the Rómulo Gallegos Prize and ultimately the Nobel Prize for Literature.
Throughout this success, Gabo kept writing and smoking. He consumed sometimes six packs of cigarettes a day during the furious period of writing One Hundred Years of Solitude. His novels since, both magical and legendary, have kept him at the forefront of literature since 1970: The Autumn of the Patriarch, Chronicle of a Death Foretold, Love in the Time of Cholera, The General in His Labyrinth, Of Love and Other Demons and his aptly named autobiography, Living to Tell the Tale.