By my sophomore year in college, mechanical pens were my favorite drawing instruments. Trial and error (and error, and error) had made me so comfortable with them that they felt like extensions of my hands. Being a masochist and a fool, I signed up for another class from Mr. Reimann. One morning while I was drawing, something landed on my sketch pad. It was a watercolor brush.
"Use that from now on," said my teacher. "You'll hate it. You put a mark down on the paper, and half an hour later, it decides what it's going to look like."
I picked up the brush. "You're not going to help me with this, are you?"
"Well, let's put it this way," said Mr. Reimann. "The sooner you make your first 5,000 mistakes, the sooner you'll get on to the next 5,000." And he walked away smiling his evil-plot smile, having arranged yet another dance with failure, inspirer of all uninspired artists, master teacher of all master teachers.
Martha Beck is the author of The Four-Day Win (Rodale).
More Insight From Martha Beck
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From the December 2007 issue of O, The Oprah Magazine.