Saoirse Ronan
Q: Peter Jackson is known for building crazy beautiful fantasy worlds in his films, and he's done a similar thing with you the "in-between" world in The Lovely Bones. What was it like working in that setting?

A: It was very interesting for me because I had never done anything like that before. I had only worked with a little bit of green screen, not even blue screen, so it was a new experience for me and something that I did have to get used to. But Pete was wonderful. As you know, he's worked with blue screen quite a lot and the whole big visual side of movie making. He would talk to me during takes to describe what was going on around me so I could react to that, and we would play music to reflect the emotional side of a scene. Things like that helped me imagine what it would be like and react. So it actually wasn't difficult. He was always there to let me know what was happening around me.